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Scrolls of LoveRuth and the Song of Songs$
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Peter S. Hawkins and Lesleigh Cushing Stahlberg

Print publication date: 2006

Print ISBN-13: 9780823225712

Published to Fordham Scholarship Online: March 2011

DOI: 10.5422/fso/9780823225712.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 02 July 2022

Song? Songs? Whose Song?: Reflections of a Radical Reader

Song? Songs? Whose Song?: Reflections of a Radical Reader

Chapter:
(p.294) Song? Songs? Whose Song?: Reflections of a Radical Reader
Source:
Scrolls of Love
Author(s):

Carole R. Fontaine

Publisher:
Fordham University Press
DOI:10.5422/fso/9780823225712.003.0022

Along with other texts of wisdom literature, the Song of Songs is largely neglected in Protestant churches, especially conservative ones, in favor of primary focus on the Hebrew prophets. The prophetic teachings on economics and rich-poor relations seem to be steadily ignored by most churches—they certainly do not seem to have had much effect on Christian praxis. Still, since the prophets are understood to refer unambiguously to the coming of Jesus as the Christ, they feed the theological streams of Christian triumph over Judaism, deep wells of hate that in turn provide the ubiquitous groundwaters of anti-Judaism and its practical cousin, anti-Semitism. Put another way, the prophets, with their relentless characterization of sin in the pornographic terms of erring wife stripped naked before her lovers, are seen to be legitimate, while the Song, which takes a rather different approach to the same marital metaphor, is most decidedly not.

Keywords:   wisdom literature, Protestant churches, Hebrew prophets, Christian praxis, Judaism, Song of Songs, metaphor

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