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Scrolls of LoveRuth and the Song of Songs$
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Peter S. Hawkins and Lesleigh Cushing Stahlberg

Print publication date: 2006

Print ISBN-13: 9780823225712

Published to Fordham Scholarship Online: March 2011

DOI: 10.5422/fso/9780823225712.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 30 June 2022

Printing the Story: the Bible in Etchings, Engravings, and Woodcuts

Printing the Story: the Bible in Etchings, Engravings, and Woodcuts

Chapter:
(p.122) Printing the Story: the Bible in Etchings, Engravings, and Woodcuts
Source:
Scrolls of Love
Author(s):

Margaret Adams Parker

Publisher:
Fordham University Press
DOI:10.5422/fso/9780823225712.003.0010

It can be argued that printmaking in Europe grew up alongside the printed Christian Bible. The print's beginnings in Western Europe coincided roughly with the development of the printing press and movable type. Indeed, the impact of the biblical print is in some ways analogous to that of the printed text. Just as the printing press made possible the broader dissemination of the Bible, the print made biblical images widely available. Likewise, translations of the Bible into local vernaculars made the text accessible to those who could not read the Latin Vulgate, just as the printed image “told” the biblical story to those many Christians who could not read at all. This is true whether the picture appears separately from the text or alongside it.

Keywords:   printmaking, Christian Bible, printing press, biblical images, Latin Vulgate, Europe

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