Noir Affect
Christopher Breu and Elizabeth A. Hatmaker
Abstract
The essays in Noir Affect articulate the importance of understanding negative affect and argue that noir is a privileged medium for doing so. Ranging, in its discussion, among a range of media and national contexts, the volume sees noir as a contemporary phenomenon as much as a historical one. Reconceptualized as defined by negative affect, noir becomes a crucial site for thinking about death, decay, anxiety, rage, sadness, guilt, shame, resentment, loss, and the erotic attachment to death. It also becomes a locus of protest and refusal against the boosterish rhetorics of capitalism. The essay ... More
The essays in Noir Affect articulate the importance of understanding negative affect and argue that noir is a privileged medium for doing so. Ranging, in its discussion, among a range of media and national contexts, the volume sees noir as a contemporary phenomenon as much as a historical one. Reconceptualized as defined by negative affect, noir becomes a crucial site for thinking about death, decay, anxiety, rage, sadness, guilt, shame, resentment, loss, and the erotic attachment to death. It also becomes a locus of protest and refusal against the boosterish rhetorics of capitalism. The essays in the book argue for the social and political work done by noir affect. Taken together, they make the argument for noir as a vibrant contemporary medium. They also make the argument for negative affect as a crucial political dynamic, one that is underappreciated in many theories of affect. Readers will emerge from the collection with a new understanding of both noir and affect.
Keywords:
affect,
film,
literature,
negativity,
noir
Bibliographic Information
| Print publication date: 2020 |
Print ISBN-13: 9780823287802 |
| Published to Fordham Scholarship Online: January 2021 |
DOI:10.5422/fordham/9780823287802.001.0001 |
Authors
Affiliations are at time of print publication.
Christopher Breu, editor
Illinois State University
Elizabeth A. Hatmaker, editor
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