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Administering InterpretationDerrida, Agamben, and the Political Theology of Law$
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Peter Goodrich and Michel Rosenfeld

Print publication date: 2019

Print ISBN-13: 9780823283798

Published to Fordham Scholarship Online: January 2020

DOI: 10.5422/fordham/9780823283798.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 04 December 2020

A Ghost Story

A Ghost Story

Electoral Reform and Hong Kong Popular Theater

Chapter:
(p.272) 11 A Ghost Story
Source:
Administering Interpretation
Author(s):

Marco Wan

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823283798.003.0012

This chapter examines the cultural dimension of Hong Kong’s Occupy Central movement by analyzing a theatrical production from the period in light of Jacques Derrida’s notion of hauntology. It argues that despite its purported focus on legal issues surrounding electoral reform, Occupy Central addresses more fundamental tensions about “Britishness” and “Chineseness” that structure Hong Kong identity. It posits that such tensions are creatively registered in Marcus Woo’s Find Ghost Do the CE and that Derrida’s Specters of Marx provides a framework for bringing them to light. It concludes by asking what it might mean to do justice to the complexity of Hong Kong identity in a time of constitutional uncertainty.

Keywords:   law and popular culture, law and theatre, hauntology, Hong Kong, identity, occupy

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