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Jean-Luc Nancy

Print publication date: 2018

Print ISBN-13: 9780823279944

Published to Fordham Scholarship Online: January 2019

DOI: 10.5422/fordham/9780823279944.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in FSO for personal use (for details see www.fordham.universitypressscholarship.com/page/privacy-policy).date: 19 June 2019

Divine Abandonment

Divine Abandonment

Chapter:
(p.81) Divine Abandonment
Source:
Portrait
Author(s):

Jean-Luc Nancy

, Sarah Clift, Simon Sparks
Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823279944.003.0015

The loss of the halo in Baudelaire could have as its equivalent in painting the numerous skulls painted by Cézanne, often alone (“autonomous”) but sometimes accompanied by a portrait. The bony skull had previously been a preferred symbol for “vanity.” Once divorced from the discourse of religion, the skull now seems to qualify the subject not from the perspective of its destiny but in terms of what is happening with its presence. So, one might suggest that, for the portrait, the halo—the possibility, very simply, of a divine dignity or a consecration—was nothing other than the possibility of painting the presence deep within the subject, be it a mysterious presence or indeed precisely in its mystery (a mystery that is as social, hierarchical, or heroic as it is personal, spiritual, or sensual)....

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