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- Title Pages
- Preface
- Introduction All at One Point: The Unlikely Connections between Italy’s Emigration, Immigration, and (Post)Colonialism
- Aperture I: An O<i>sea</i>n of Pre-Occupation and Possibilities: <i>L’orda</i>
- One Crossing the Atlantic to Meet the Nation: The Emigration Ship in Mignonette’s Songs and Crialese’s <i>Nuovomondo</i>
- Two Overlapping Mediterranean Routes in Marra’s <i>Sailing Home</i>, Ragusa’s <i>The Skin Between Us</i>, and Tekle’s <i>Libera</i>
- Aperture II A Multicultural Project in a National Square: The Orchestra of Piazza Vittorio
- Three Displaced Italies and Immigrant “Delinquent” Spaces in Pariani’s Argentinian <i>Conventillos</i> and Lakhous’s Roman <i>Palazzo</i>
- Four Writing the Pasta Factory and the Boardinghouse as Transnational Homes: Public and Private Acts in Melliti’s <i>Pantanella</i> and Mazzucco’s <i>Vita</i>
- Aperture III Labor on the Move: Rodari’s Construction Workers and Kuruvilla’s Babysitter
- Five Edification between Nation and Migration in Cavanna’s <i>Les Ritals</i> and Adascalitei’s “Il giorno di San Nicola”
- Six The Circular Routes of Colonial and Postcolonial Domestic Work: Però’s and Ciaravino’s <i>Alexandria</i> and Ghermandi’s “The Story of Woizero Bekelech and Signor Antonio”
- Conclusion Italy as a Laboratory for Imagi-Nation: The Citizenship Law between Inbound and Outbound Flows
- Works Cited
- Index
- Image Credits
- Critical Studies in Italian America
(p.249) Image Credits
(p.249) Image Credits
- Source:
- Pre-Occupied Spaces
- Author(s):
Teresa Fiore
- Publisher:
- Fordham University Press
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- Title Pages
- Preface
- Introduction All at One Point: The Unlikely Connections between Italy’s Emigration, Immigration, and (Post)Colonialism
- Aperture I: An O<i>sea</i>n of Pre-Occupation and Possibilities: <i>L’orda</i>
- One Crossing the Atlantic to Meet the Nation: The Emigration Ship in Mignonette’s Songs and Crialese’s <i>Nuovomondo</i>
- Two Overlapping Mediterranean Routes in Marra’s <i>Sailing Home</i>, Ragusa’s <i>The Skin Between Us</i>, and Tekle’s <i>Libera</i>
- Aperture II A Multicultural Project in a National Square: The Orchestra of Piazza Vittorio
- Three Displaced Italies and Immigrant “Delinquent” Spaces in Pariani’s Argentinian <i>Conventillos</i> and Lakhous’s Roman <i>Palazzo</i>
- Four Writing the Pasta Factory and the Boardinghouse as Transnational Homes: Public and Private Acts in Melliti’s <i>Pantanella</i> and Mazzucco’s <i>Vita</i>
- Aperture III Labor on the Move: Rodari’s Construction Workers and Kuruvilla’s Babysitter
- Five Edification between Nation and Migration in Cavanna’s <i>Les Ritals</i> and Adascalitei’s “Il giorno di San Nicola”
- Six The Circular Routes of Colonial and Postcolonial Domestic Work: Però’s and Ciaravino’s <i>Alexandria</i> and Ghermandi’s “The Story of Woizero Bekelech and Signor Antonio”
- Conclusion Italy as a Laboratory for Imagi-Nation: The Citizenship Law between Inbound and Outbound Flows
- Works Cited
- Index
- Image Credits
- Critical Studies in Italian America
