Show Summary Details
- Title Pages
- Abbreviations
- Acknowledgments
- Epigraph
- Introduction: Abstract and Concrete Modernity
- Part I Contre-Temps
- 1 Autonomous Literature
- 2 The Obscurities of Artistic Innovation
- Part II Negative Spaces
- 3 Dead Transcendence
- 4 An Image of Thought in <i>Thomas l’Obscur</i>
- 5 Indifferent Reading in <i>Aminadab</i>
- Part III Material Ambiguity
- 6 The Language-Like Quality of the Artwork
- 7 The Possibility of Speculative Writing
- Part IV Grey Literature
- 8 Echo Location
- 9 The Negativity of Thinking Through Language
- Appendix: <i>Thomas l’Obscur</i>, Chapter 1
- Bibliography
- Index
- Perspectives in Continental Philosophy
(p.xiii) Acknowledgments
(p.xiii) Acknowledgments
- Source:
- Aesthetics of Negativity
- Publisher:
- Fordham University Press
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- Title Pages
- Abbreviations
- Acknowledgments
- Epigraph
- Introduction: Abstract and Concrete Modernity
- Part I Contre-Temps
- 1 Autonomous Literature
- 2 The Obscurities of Artistic Innovation
- Part II Negative Spaces
- 3 Dead Transcendence
- 4 An Image of Thought in <i>Thomas l’Obscur</i>
- 5 Indifferent Reading in <i>Aminadab</i>
- Part III Material Ambiguity
- 6 The Language-Like Quality of the Artwork
- 7 The Possibility of Speculative Writing
- Part IV Grey Literature
- 8 Echo Location
- 9 The Negativity of Thinking Through Language
- Appendix: <i>Thomas l’Obscur</i>, Chapter 1
- Bibliography
- Index
- Perspectives in Continental Philosophy
