Show Summary Details
- Title Pages
- Abbreviations
- Acknowledgments
- Epigraph
-
Introduction: Abstract and Concrete Modernity -
Part I Contre-Temps -
1 Autonomous Literature -
2 The Obscurities of Artistic Innovation -
Part II Negative Spaces -
3 Dead Transcendence -
4 An Image of Thought in Thomas l’Obscur -
5 Indifferent Reading in Aminadab -
Part III Material Ambiguity -
6 The Language-Like Quality of the Artwork -
7 The Possibility of Speculative Writing -
Part IV Grey Literature -
8 Echo Location -
9 The Negativity of Thinking Through Language -
Appendix: Thomas l’Obscur, Chapter 1 - Bibliography
- Index
- Perspectives in Continental Philosophy
(p.xiii) Acknowledgments
(p.xiii) Acknowledgments
- Source:
- Aesthetics of Negativity
- Publisher:
- Fordham University Press
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- Title Pages
- Abbreviations
- Acknowledgments
- Epigraph
-
Introduction: Abstract and Concrete Modernity -
Part I Contre-Temps -
1 Autonomous Literature -
2 The Obscurities of Artistic Innovation -
Part II Negative Spaces -
3 Dead Transcendence -
4 An Image of Thought in Thomas l’Obscur -
5 Indifferent Reading in Aminadab -
Part III Material Ambiguity -
6 The Language-Like Quality of the Artwork -
7 The Possibility of Speculative Writing -
Part IV Grey Literature -
8 Echo Location -
9 The Negativity of Thinking Through Language -
Appendix: Thomas l’Obscur, Chapter 1 - Bibliography
- Index
- Perspectives in Continental Philosophy