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Practicing the CityEarly Modern London on Stage$
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Nina Levine

Print publication date: 2016

Print ISBN-13: 9780823267866

Published to Fordham Scholarship Online: May 2016

DOI: 10.5422/fordham/9780823267866.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 16 October 2019

Epilogue

Epilogue

The Place of the Spectator

Chapter:
(p.139) Epilogue
Source:
Practicing the City
Author(s):

Nina Levine

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823267866.003.0006

The Epilogue extends the book’s consideration of theatrical mediation to consider the place of the spectator. Reflecting on the broader politics of the early modern stage’s urban turn, the epilogue raises the possibility of a theatrocracy constituted by what Jacques Rancière refers to as the “emancipated spectator.” Rancière’s work offers a way to think about a city stage that licenses its spectators even as it attempts to keep them in their place. Jonson’s The Staple of News raises similar questions about the place of the audience. For all their differences, what both Jonson and Rancière recognize is the theater’s capacity to enact, even as it represents, the disruptive encounters of urban plurality.

Keywords:   Jacques Rancière, theatrocracy, The Staple of News, Ben Jonson, plurality, spectators, emancipated spectator

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