Jump to ContentJump to Main Navigation
Phantom LimbsOn Musical Bodies$
Users without a subscription are not able to see the full content.

Peter Szendy

Print publication date: 2015

Print ISBN-13: 9780823267057

Published to Fordham Scholarship Online: May 2016

DOI: 10.5422/fordham/9780823267057.001.0001

Show Summary Details
Page of

PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 27 September 2021

Interpreting Bodies

Interpreting Bodies

Chapter:
(p.5) Chapter 1 Interpreting Bodies
Source:
Phantom Limbs
Author(s):

Peter Szendy

, Will Bishop
Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823267057.003.0002

Three models for thinking the relation between interpreting bodies and the sound-producing body: 1. Virtuosity according to Liszt; 2. Glenn Steinway as described by Thomas Bernhard in a piece of fiction (The Loser) inspired by Glenn Gould; and 3. Nietzsche, for whom it is already “the formation of an organ” that is itself “an interpretation.”

Keywords:   Bernhard, Gould, Liszt, Nietzsche, performance

Fordham Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .