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An Atmospherics of the CityBaudelaire and the Poetics of Noise$
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Ross Chambers

Print publication date: 2015

Print ISBN-13: 9780823265848

Published to Fordham Scholarship Online: September 2015

DOI: 10.5422/fordham/9780823265848.001.0001

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Fetishism Becomes Allegory

Fetishism Becomes Allegory

Chapter:
(p.53) Three Fetishism Becomes Allegory
Source:
An Atmospherics of the City
Author(s):

Ross Chambers

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823265848.003.0003

A brief reading of “L’Ennemi” [The Enemy] introduces the concept of noise as a signifier of time-the-enemy; and the allegorical figures of the major poems of “Tableaux Parisiens” [Parisian Pictures] are described as a function of the section on urban statuary in Baudelaire’s account of the 1859 Art Salon. The figure of the “noisy chiasmus” as an allegorical device of disalienation is discussed with reference to “Le Cygne” [The Swan].

Keywords:   allegory, noise, chiasmus, disalienation

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