- Title Pages
- Acknowledgments
-
Introduction: Criticism without Footnotes -
Part One The Politics of Criticism -
One How to Be an Intellectual -
Two The Retrospective Tenor of Recent Theory -
Three The Rise of the Theory Journal -
Four How Critics Became Smart -
Five Publicist Intellectuals -
Six The Ubiquity of Culture -
Seven Credibility and Criticism -
Eight The Statistical Turn in Literary Criticism -
Part Two Profiles in Criticism -
Nine Prodigal Critics -
Ten A Life in Criticism -
Eleven Bellwether -
Twelve The Political Theory License -
Thirteen The Critic as Wanderer -
Fourteen From Cyborgs to Animals -
Fifteen Intellectuals and Politics -
Sixteen The Editor as Broker -
Seventeen Gaga Feminism -
Eighteen Book Angst -
Part Three The Predicament of the University -
Nineteen The Pedagogy of Debt -
Twenty Student Debt and the Spirit of Indenture -
Twenty-One The Academic Devolution -
Twenty-Two The Neoliberal Bias of Higher Education -
Twenty-Three The University on Film -
Twenty-Four The Thrill Is Gone -
Twenty-Five Unlucky Jim -
Twenty-Six Academic Opportunities Unlimited -
Part Four The Personal and the Critical -
Twenty-Seven The Pedagogy of Prison -
Twenty-Eight Shelf Life -
Twenty-Nine Teacher -
Thirty My Life as Editor -
Thirty-One Other People’s Words -
Thirty-Two Long Island Intellectual
From Cyborgs to Animals:
From Cyborgs to Animals:
Donna Haraway
- Chapter:
- (p.92) Fourteen From Cyborgs to Animals
- Source:
- How to Be an Intellectual
- Author(s):
Jeffrey J. Williams
- Publisher:
- Fordham University Press
This chapter profiles Donna Haraway, a major cultural theorist who has called attention to the "cyborg" nature of contemporary life. She has also become a major critic in the rising field of animal studies. The chapter draws on an in-depth interview and gives revealing personal details about her work and career.
Keywords: Cyborg, Donna Haraway, Animal studies, Contemporary criticism and theory
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- Title Pages
- Acknowledgments
-
Introduction: Criticism without Footnotes -
Part One The Politics of Criticism -
One How to Be an Intellectual -
Two The Retrospective Tenor of Recent Theory -
Three The Rise of the Theory Journal -
Four How Critics Became Smart -
Five Publicist Intellectuals -
Six The Ubiquity of Culture -
Seven Credibility and Criticism -
Eight The Statistical Turn in Literary Criticism -
Part Two Profiles in Criticism -
Nine Prodigal Critics -
Ten A Life in Criticism -
Eleven Bellwether -
Twelve The Political Theory License -
Thirteen The Critic as Wanderer -
Fourteen From Cyborgs to Animals -
Fifteen Intellectuals and Politics -
Sixteen The Editor as Broker -
Seventeen Gaga Feminism -
Eighteen Book Angst -
Part Three The Predicament of the University -
Nineteen The Pedagogy of Debt -
Twenty Student Debt and the Spirit of Indenture -
Twenty-One The Academic Devolution -
Twenty-Two The Neoliberal Bias of Higher Education -
Twenty-Three The University on Film -
Twenty-Four The Thrill Is Gone -
Twenty-Five Unlucky Jim -
Twenty-Six Academic Opportunities Unlimited -
Part Four The Personal and the Critical -
Twenty-Seven The Pedagogy of Prison -
Twenty-Eight Shelf Life -
Twenty-Nine Teacher -
Thirty My Life as Editor -
Thirty-One Other People’s Words -
Thirty-Two Long Island Intellectual