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Dancing Jacobins$
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Rafael Sánchez

Print publication date: 2016

Print ISBN-13: 9780823263653

Published to Fordham Scholarship Online: September 2016

DOI: 10.5422/fordham/9780823263653.001.0001

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PRINTED FROM FORDHAM SCHOLARSHIP ONLINE (www.fordham.universitypressscholarship.com). (c) Copyright Fordham University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in FSO for personal use.date: 21 September 2019

The French Repertoire

The French Repertoire

Chapter:
(p.201) Chapter 6 The French Repertoire
Source:
Dancing Jacobins
Author(s):

Rafael Sánchez

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823263653.003.0009

This chapter examines how one of the two imaginary cum governmental configurations that, according to the book’s argument, compose Venezuela’s ‘monumental governmentality’—I’e’, The Fragile Collection or Gallery of Notables—first became historically instituted in the 1830s as a regime of notables forever pitted against an excluded, threatening outside. For this purpose, it offers an overview of the vast repertoire of means, from the theatre, literary genres and historiographical productions to forms of state repression, that made possible such an outcome.

Keywords:   commodity circulation, conservative oligarchy, costumbrismo, fashion, Gran Colombia, negative exemplarity, state repression, theater

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