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Making Italian AmericaConsumer Culture and the Production of Ethnic Identities$
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Simone Cinotto

Print publication date: 2014

Print ISBN-13: 9780823256235

Published to Fordham Scholarship Online: September 2014

DOI: 10.5422/fordham/9780823256235.001.0001

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Italian Doo-Wop

Italian Doo-Wop

Sense of Place, Politics of Style, and Racial Crossovers in Postwar New York City

Chapter:
(p.163) 9 Italian Doo-Wop
Source:
Making Italian America
Author(s):

Simone Cinotto

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823256235.003.0010

Relations between Italian Americans and African Americans have been often tense, marked by racism, competition on the labor and housing market, and occasional violence. In the 1950s and 1960s Italian Americans in New York and other cities, along with other white ethnics, resisted urban change and supported residential segregation. However, in the field of popular music, the two groups have regularly exchanged mutual appreciation for the talent, style, and authenticity of the other. The chapter focus on Italian American artists’ hegemonic presence in a black musical genre (doo-wop) to show how popular and consumer culture provided the space for otherwise impossible cross-cultural exchanges at the dawn of the civil-rights era.

Keywords:   doo-wop, rock and roll, popular music, Italian Americans, African Americans, race, ethnicity, working-class life and culture, New York City history, 1950s, consumer culture, popular culture, lifestyle

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