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- Title Pages
- Dedication
- Illustrations
- Acknowledgments
- Speaking of Music: A View across Disciplines and a Lexicon of Topoi
- Speaking of Music
- Waiting for the Death Knell: Speaking of Music (So to Speak)
- Bach's Silence, Mattheson's Words: Professional and Humanist Ways of Speaking of Music
- Making Music Speak
- Rousseau: Music, Language, and Politics
- Listening to Music
- Mi manca la voce: How Balzac Talks Music—or How Music Takes Place—in Massimilia Doni
- Speaking of Music In the Romantic Era: Dynamic and Resistant Aspects of Musical Genre
- Weather Reports: Discourse and Musical Cognition
- Messiaen, Deleuze, and the Birds of Proclamation
- Parole, parole: Tautegory and the Musicology of the (Pop) Song
- Speaking of Microsound: The Bodies of Henri Chopin
- On the Ethics of the Unspeakable
- Récit Recitation Recitative
- Contributors
- Index
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- Title Pages
- Dedication
- Illustrations
- Acknowledgments
- Speaking of Music: A View across Disciplines and a Lexicon of Topoi
- Speaking of Music
- Waiting for the Death Knell: Speaking of Music (So to Speak)
- Bach's Silence, Mattheson's Words: Professional and Humanist Ways of Speaking of Music
- Making Music Speak
- Rousseau: Music, Language, and Politics
- Listening to Music
- Mi manca la voce: How Balzac Talks Music—or How Music Takes Place—in Massimilia Doni
- Speaking of Music In the Romantic Era: Dynamic and Resistant Aspects of Musical Genre
- Weather Reports: Discourse and Musical Cognition
- Messiaen, Deleuze, and the Birds of Proclamation
- Parole, parole: Tautegory and the Musicology of the (Pop) Song
- Speaking of Microsound: The Bodies of Henri Chopin
- On the Ethics of the Unspeakable
- Récit Recitation Recitative
- Contributors
- Index