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Shakespeare and DonneGeneric Hybrids and the Cultural Imaginary$
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Judith H. Anderson and Jennifer C. Vaught

Print publication date: 2013

Print ISBN-13: 9780823251254

Published to Fordham Scholarship Online: September 2013

DOI: 10.5422/fordham/9780823251254.001.0001

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(p.x) (p.1) Introduction
Shakespeare and Donne

Judith H. Anderson

Jennifer C. Vaught

Fordham University Press

Shakespeare and Donne are themselves hybrids who crossed generic and social boundaries and also shared a contemporary urban space and roots in the old religion. Centering on cross-fertilization between these authors’ writings, the chapters in this volume examine relationships that are cultural, theoretical, and imaginative. They emphasize the intersection of physical or material dimensions of experience with nonphysical and transcendent ones, whether these are moral, intellectual, or religious. They also juxtapose lyric and sermons interactively with narrative and plays. Performance and audience are among their concerns, as are the themes of skepticism and imagination and various philosophies of thought, sensation, and meaning: Aristotle, Wittgenstein, Cavell, Kripke, Agamben, Massumi, and Serres, for example. Language and rhetoric constitute a conspicuous emphasis: naming and punning, public and private discourse, figuration. Besides these, theoretical orientations encompass intertextuality, feminism and sexuality, and historicism.

Keywords:   Donne, Shakespeare, Intertextuality, Performance, Imagination, Puns, Sexuality/Gender, Skepticism, Historicism, Privacy

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