Show Summary Details
- Title Pages
- Dedication
- Acknowledgments
- Note on Citations
- Marginal Modernity
- Introduction
-
CHAPTER ONE Presuppositions and Varieties of Aesthetic Experience -
CHAPTER TWO Johan Ludvig Heiberg and the Autonomy of Art -
CHAPTER THREE Aesthetics of Fragmentation in Henrik Ibsen's Peer Gynt -
CHAPTER FOUR Nora's Departure and the Aesthetics of Dependency -
CHAPTER FIVE Henry James and the Emergence of the Major Phase -
CHAPTER SIX Hugo von Hofmannsthal and the Language of the Future -
CHAPTER SEVEN Conflict and Mediation in James Joyce's “The Dead” -
CHAPTER EIGHT Intransitive Love in Rainer Maria Rilke's The Notebooks of Malte Laurids Brigge - Conclusion
- Bibliography
- Index
Dedication
Dedication
- Source:
- Marginal Modernity
- Publisher:
- Fordham University Press
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- Title Pages
- Dedication
- Acknowledgments
- Note on Citations
- Marginal Modernity
- Introduction
-
CHAPTER ONE Presuppositions and Varieties of Aesthetic Experience -
CHAPTER TWO Johan Ludvig Heiberg and the Autonomy of Art -
CHAPTER THREE Aesthetics of Fragmentation in Henrik Ibsen's Peer Gynt -
CHAPTER FOUR Nora's Departure and the Aesthetics of Dependency -
CHAPTER FIVE Henry James and the Emergence of the Major Phase -
CHAPTER SIX Hugo von Hofmannsthal and the Language of the Future -
CHAPTER SEVEN Conflict and Mediation in James Joyce's “The Dead” -
CHAPTER EIGHT Intransitive Love in Rainer Maria Rilke's The Notebooks of Malte Laurids Brigge - Conclusion
- Bibliography
- Index
