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Irony on OccasionFrom Schlegel and Kierkegaard to Derrida and de Man$
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Kevin Newmark

Print publication date: 2012

Print ISBN-13: 9780823240128

Published to Fordham Scholarship Online: September 2012

DOI: 10.5422/fordham/9780823240128.001.0001

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Coda: Dark Freedom in J. M. Coetzee's Disgrace

Coda: Dark Freedom in J. M. Coetzee's Disgrace

Chapter:
(p.282) Coda: Dark Freedom in J. M. Coetzee's Disgrace
Source:
Irony on Occasion
Author(s):

Kevin Newmark

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823240128.003.0013

Can contemporary fiction be read simultaneously as socio-political act and as reflective thought, as both empirical reality and philosophical speculation? A good example of a novel situating itself within this uneasy convergence of theory and action is Coetzee's Disgrace. The explicit theme concerns the referential history of post-apartheid S. Africa, but the fiction also stages an allegory of aesthetic judgment confronting its own status as a bridge between knowledge and freedom. Rather than confirm the reliability of its power to mediate between cognition and action, the literary text bears witness to its lack of authority in joining the two. Disgrace involves the exposure of a mysterious blank precisely at the point where an articulation between history and reflection should be found. This typographical dash inscribes an ironic resistance to any attempt at compelling literary fictions to say all they know or to know fully what they can from now on do.

Keywords:   Fiction, Action, Thought, J.M. Coetzee, Disgrace, Knowledge, Freedom, Authority, Blank, Articulation, Ironic resistance

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