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Responses to ModernityEssays in the Politics of Culture$
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Joseph Frank

Print publication date: 2012

Print ISBN-13: 9780823239252

Published to Fordham Scholarship Online: September 2012

DOI: 10.5422/fordham/9780823239252.001.0001

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Lilian Furst and the Art of Literary Realism

Lilian Furst and the Art of Literary Realism

Chapter:
(p.215) 19. Lilian Furst and the Art of Literary Realism
Source:
Responses to Modernity
Author(s):

Joseph Frank

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823239252.003.0020

The notion of realism as applied to literary and pictorial art is one that everybody uses, and whose meaning seems to be self-evident; but the moment questions are asked, it turns out to be extremely slippery and difficult to pin down. One of the great merits of All is True: The Claims and Strategies of Realist Fiction (1995) by Lilian Furst is that it tackles the problem of literary realism head-on, and does so in the light of all the attacks made on this idea in recent years by critics of formalism and structuralism, who have emphasized the role of literary and linguistic convention as a determinant factor in all literary creation. Although realism is ordinarily associated with objective narration and description, Furst follows the German critic Richard Brinkmann in maintaining that realist texts contain “landscapes of consciousness” which increasingly come to dominate the narrative perspective. Throughout her pages, Furst refers to the stimulus provided to her own thought by the work of Roland Barthes in his structuralist phase.

Keywords:   Lilian Furst, literary realism, All Is True, formalism, structuralism, Richard Brinkmann, landscapes of consciousness, Roland Barthes

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