Show Summary Details
- Title Pages
- Dedication
- Acknowledgments
- The Stelliferous Fold
- Introduction
-
Chapter 1: Un-Staging the Beginning: Herman Melville's Cetology -
Chapter 2: Autogeneous Engenderment: Antonin Artaud's Phonetic Body -
Chapter 3: Onslaughts on Filiation: Lautréamont's Chants de Maldoror -
Chapter 4: Celestial Stars/Water Stars: Gérard de Nerval's Sylvie -
Chapter 5: The Stelliferous Fold: Villiers de lʼIsle-Adam's LʼEve Future -
Chapter 6: The Falls of History: Joris-Karl Huysmans's Against Nature -
Chapter 7: Beginnings and Endings -
Chapter 8: On Aesthetic and Historical Determination -
Chapter 9: Hegel's Orient, or the End of Romanticism -
Chapter 10: Of Goats, Caves, and Cannibals: Daniel Defoe's Robinson Crusoe -
Chapter 11: Kafka's Law: In the Field of Forces Between Judaism and Hellenism -
Chapter 12: The Deepening of Apperception: On Walter Benjamin's Theory of Film -
Chapter 13: Accompaniments for a Title: For Werner Hamacher -
Chapter 14: The Imperative of Transparency: Maurice Blanchot's the one who was standing apart from me -
Chapter 15: The Veil, the Fold, the Image: On Gustave Flaubert's Salammbo - Selected Names Index
Dedication
Dedication
- Source:
- The Stelliferous Fold
- Publisher:
- Fordham University Press
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- Title Pages
- Dedication
- Acknowledgments
- The Stelliferous Fold
- Introduction
-
Chapter 1: Un-Staging the Beginning: Herman Melville's Cetology -
Chapter 2: Autogeneous Engenderment: Antonin Artaud's Phonetic Body -
Chapter 3: Onslaughts on Filiation: Lautréamont's Chants de Maldoror -
Chapter 4: Celestial Stars/Water Stars: Gérard de Nerval's Sylvie -
Chapter 5: The Stelliferous Fold: Villiers de lʼIsle-Adam's LʼEve Future -
Chapter 6: The Falls of History: Joris-Karl Huysmans's Against Nature -
Chapter 7: Beginnings and Endings -
Chapter 8: On Aesthetic and Historical Determination -
Chapter 9: Hegel's Orient, or the End of Romanticism -
Chapter 10: Of Goats, Caves, and Cannibals: Daniel Defoe's Robinson Crusoe -
Chapter 11: Kafka's Law: In the Field of Forces Between Judaism and Hellenism -
Chapter 12: The Deepening of Apperception: On Walter Benjamin's Theory of Film -
Chapter 13: Accompaniments for a Title: For Werner Hamacher -
Chapter 14: The Imperative of Transparency: Maurice Blanchot's the one who was standing apart from me -
Chapter 15: The Veil, the Fold, the Image: On Gustave Flaubert's Salammbo - Selected Names Index
