- Title Pages
- Illustrations
- Acknowledgments
- A Sonnet for Harry on the Occasion of His Celebration in the year 2006 In Columbia S. Carolina
- Introduction
-
Chapter 1 Enlisting in Harry Berger's Imaginary Forces -
Chapter 2 Harry Berger and Self-Hatred -
Chapter 3 Complicity and Catharsis: the Immature Criticism of Harry Berger -
Chapter 4 Sack Drama -
Chapter 5 Redistributing Complicities in an Age of Digital Production: Michael Radford's Film Version of The Merchant of Venice -
Chapter 6 Acrasian Fantasies: Outsides, Insides, Upsides, Downsides in the Bower of Bliss -
Chapter 7 Harry Berger's Genius: Porting Pleasure in the Bower of Bliss -
Chapter 8 Taking Another Peek -
Chapter 9 Close Reading Transformed: The New Criticism and the World -
Chapter 10 Thinking Culture, and Beyond -
Chapter 11 Bergerama: New Critical and Poststructural Theory in the Work of Harry Berger, Jr. -
Chapter 12 The Power of Prodigality in the Work of Derek Walcott and Harry Berger -
Chapter 13 Harry Berger's Sprezzatura and the Poses of Cicero's De Oratore -
Chapter 14 What Art Historians Can Learn from Harry -
Chapter 15 Platonic Irony in Berger -
Chapter 16 Situating Harry's Plato -
Chapter 17 The Seminal and the Inimitable: An Adventure in Harryland -
Chapter 18 How Harry Taught -
Chapter 19 Harry Berger's Intellectual Community -
Chapter 20 Backlooping: Life in a Revisionary Enclave - Bio-bibliography
- Contributors
- Select Publications Index
- Index
Taking Another Peek
Taking Another Peek
- Chapter:
- (p.104) Chapter 8 Taking Another Peek
- Source:
- A Touch More Rare
- Author(s):
Nina Levine
David Lee Miller
- Publisher:
- Fordham University Press
In responding to Harry Berger's reading of the Bower of Bliss, the author combines homage to Harry with Harry-inspired insubordination as she shifts her primary attention away from the Bower of Bliss and questions Harry's identification of the gynephobia showcased by the episode as the fundamental drive animating the discourse of Book Two of The Faerie Queene. Looking at Book Two of The Faerie Queene through the prism of Christianity and religious history puts issues of gender ideology and the voluptuousness of the Bower of Bliss into a context quite different from the usual.
Keywords: Harry Berger, Bower of Bliss, gynephobia, The Faerie Queene, Christianity, religious history, gender ideology
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- Title Pages
- Illustrations
- Acknowledgments
- A Sonnet for Harry on the Occasion of His Celebration in the year 2006 In Columbia S. Carolina
- Introduction
-
Chapter 1 Enlisting in Harry Berger's Imaginary Forces -
Chapter 2 Harry Berger and Self-Hatred -
Chapter 3 Complicity and Catharsis: the Immature Criticism of Harry Berger -
Chapter 4 Sack Drama -
Chapter 5 Redistributing Complicities in an Age of Digital Production: Michael Radford's Film Version of The Merchant of Venice -
Chapter 6 Acrasian Fantasies: Outsides, Insides, Upsides, Downsides in the Bower of Bliss -
Chapter 7 Harry Berger's Genius: Porting Pleasure in the Bower of Bliss -
Chapter 8 Taking Another Peek -
Chapter 9 Close Reading Transformed: The New Criticism and the World -
Chapter 10 Thinking Culture, and Beyond -
Chapter 11 Bergerama: New Critical and Poststructural Theory in the Work of Harry Berger, Jr. -
Chapter 12 The Power of Prodigality in the Work of Derek Walcott and Harry Berger -
Chapter 13 Harry Berger's Sprezzatura and the Poses of Cicero's De Oratore -
Chapter 14 What Art Historians Can Learn from Harry -
Chapter 15 Platonic Irony in Berger -
Chapter 16 Situating Harry's Plato -
Chapter 17 The Seminal and the Inimitable: An Adventure in Harryland -
Chapter 18 How Harry Taught -
Chapter 19 Harry Berger's Intellectual Community -
Chapter 20 Backlooping: Life in a Revisionary Enclave - Bio-bibliography
- Contributors
- Select Publications Index
- Index
