- Title Pages
- Dedication
- Acknowledgments
- Preface
- Victor Herbert
- Herbert—Lover Family Tree
-
Chapter 1 Ireland, My Sireland (1859–1886) -
Chapter 2 In Old New York (1886–1891) -
Chapter 3 Oh, My Name is Victor Herbert—I'm the Leader of the Band (1891–1895) -
Chapter 4 Pittsburgh—Heaven and Hell (1898–1904) -
Chapter 5 Coda Brilliante—The Victor Herbert Orchestra (1901–1924) -
Chapter 6 Paterfamilias (1889–1924) -
Chapter 7 Oyez! Oyez! Oyez! (1902–1924) -
Chapter 8 A Theatrical Musician at Work (1894–1924) -
Chapter 9 Act One (1894–1900) -
Chapter 10 Entrʼacte I: Ace of Clubs (1896–1924) -
Chapter 11 Act Two: Scene One (1903–1905) -
Chapter 12 Operetta as Social Document (1905) -
Chapter 13 Act Two: Scene Two (1906–1912) -
Chapter 14 Entrʼacte II: Uncrowned Kings (1908–1917) -
Chapter 15 Act Three: Scene One -
Chapter 16 An Opera Manqué (1915–1916) -
Chapter 17 Act Three: Scene Two (1914–1924) -
Chapter 18 Media vitae in morte sumus (1916–1924) -
Chapter 19 Postlude -
Chapter 20 February 1, 2003 -
Appendix A Stage Compositions by Victor Herbert -
Appendix B Published Instrumental, Choral, and Miscellaneous Works - Abbreviations
- Bibliography
- Index
Pittsburgh—Heaven and Hell (1898–1904)
Pittsburgh—Heaven and Hell (1898–1904)
- Chapter:
- (p.84) Chapter 4 Pittsburgh—Heaven and Hell (1898–1904)
- Source:
- Victor Herbert
- Author(s):
Neil Gould
- Publisher:
- Fordham University Press
By the late 1880s Herbert has composed six successful operettas when he is offered a one-year contract for the Pittsburgh Orchestra. Herbert's motivation for accepting the contract can be traced to two elements that motivated him—a new artistic challenge and the opportunity to add to his income. During this period he created two of his greatest stage works, The Fortune Teller and Babes in Toyland. He firmly established himself as the outstanding American composer of music entertainment of his time. The Victor Herbert Orchestra reaches the height of John Phillip Sousa's Band.
Keywords: Pittsburgh Orchestra, Babes in Toyland, Victor Herbert Orchestra, band, operetta
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- Title Pages
- Dedication
- Acknowledgments
- Preface
- Victor Herbert
- Herbert—Lover Family Tree
-
Chapter 1 Ireland, My Sireland (1859–1886) -
Chapter 2 In Old New York (1886–1891) -
Chapter 3 Oh, My Name is Victor Herbert—I'm the Leader of the Band (1891–1895) -
Chapter 4 Pittsburgh—Heaven and Hell (1898–1904) -
Chapter 5 Coda Brilliante—The Victor Herbert Orchestra (1901–1924) -
Chapter 6 Paterfamilias (1889–1924) -
Chapter 7 Oyez! Oyez! Oyez! (1902–1924) -
Chapter 8 A Theatrical Musician at Work (1894–1924) -
Chapter 9 Act One (1894–1900) -
Chapter 10 Entrʼacte I: Ace of Clubs (1896–1924) -
Chapter 11 Act Two: Scene One (1903–1905) -
Chapter 12 Operetta as Social Document (1905) -
Chapter 13 Act Two: Scene Two (1906–1912) -
Chapter 14 Entrʼacte II: Uncrowned Kings (1908–1917) -
Chapter 15 Act Three: Scene One -
Chapter 16 An Opera Manqué (1915–1916) -
Chapter 17 Act Three: Scene Two (1914–1924) -
Chapter 18 Media vitae in morte sumus (1916–1924) -
Chapter 19 Postlude -
Chapter 20 February 1, 2003 -
Appendix A Stage Compositions by Victor Herbert -
Appendix B Published Instrumental, Choral, and Miscellaneous Works - Abbreviations
- Bibliography
- Index