Show Summary Details
- Title Pages
- Dedication
- Prior Publication (in whole or in substantial part)
- Reading the Allegorical Intertext
- Introduction: Reading the Allegorical Intertext
-
1. Chaucer's and Spenser's Reflexive Narrators -
2. What Comes After Chaucer's But in The Faerie Queene -
3. “Pricking on the plaine”: Spenser's Intertextual Beginnings and Endings -
4. Allegory, Irony, Despair: Chaucer's Pardoner's and Franklin's Tales and Spenser's Faerie Queene, Books I and III -
5. Eumnestes' “immortall scrine”: Spenser's Archive -
6. Spenser's Use of Chaucer's Melibee: Allegory, Narrative, History -
7. Spenser's Muiopotmos and Chaucer's Nun's Priest's Tale -
8. Arthur and Argante: Parodying the Ideal Vision -
9. Chaucer's Parliament of Fowls and Refractions of a Veiled Venus in the Faerie Queene -
10. The Antiquities of Fairyland and Ireland -
11. Better a mischief than an inconvenience: “The saiyng self” in Spenser's View of the Present State of Ireland -
12. The Conspiracy of Realism: Impasse and Vision in The Faerie Queene and Shakespeare's King Lear -
13. Venus and Adonis: Spenser, Shakespeare, and the Forms of Desire -
14. Flowers and Boars: Surmounting Sexual Binarism in Spenser's Garden of Adonis -
15. Androcentrism and Acrasian Fantasies in the Bower of Bliss -
16. Beyond Binarism: Eros/Death and Venus/Mars in Antony and Cleopatra and The Faerie Queene -
17. Patience and Passion in Shakespeare and Milton -
18. “Real or Allegoric” in Herbert and Milton: Thinking through Difference -
19. Spenser and Milton: The Mind's Allegorical Place - Index
Title Pages
Title Pages
- Source:
- Reading the Allegorical Intertext
- Publisher:
- Fordham University Press
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- Title Pages
- Dedication
- Prior Publication (in whole or in substantial part)
- Reading the Allegorical Intertext
- Introduction: Reading the Allegorical Intertext
-
1. Chaucer's and Spenser's Reflexive Narrators -
2. What Comes After Chaucer's But in The Faerie Queene -
3. “Pricking on the plaine”: Spenser's Intertextual Beginnings and Endings -
4. Allegory, Irony, Despair: Chaucer's Pardoner's and Franklin's Tales and Spenser's Faerie Queene, Books I and III -
5. Eumnestes' “immortall scrine”: Spenser's Archive -
6. Spenser's Use of Chaucer's Melibee: Allegory, Narrative, History -
7. Spenser's Muiopotmos and Chaucer's Nun's Priest's Tale -
8. Arthur and Argante: Parodying the Ideal Vision -
9. Chaucer's Parliament of Fowls and Refractions of a Veiled Venus in the Faerie Queene -
10. The Antiquities of Fairyland and Ireland -
11. Better a mischief than an inconvenience: “The saiyng self” in Spenser's View of the Present State of Ireland -
12. The Conspiracy of Realism: Impasse and Vision in The Faerie Queene and Shakespeare's King Lear -
13. Venus and Adonis: Spenser, Shakespeare, and the Forms of Desire -
14. Flowers and Boars: Surmounting Sexual Binarism in Spenser's Garden of Adonis -
15. Androcentrism and Acrasian Fantasies in the Bower of Bliss -
16. Beyond Binarism: Eros/Death and Venus/Mars in Antony and Cleopatra and The Faerie Queene -
17. Patience and Passion in Shakespeare and Milton -
18. “Real or Allegoric” in Herbert and Milton: Thinking through Difference -
19. Spenser and Milton: The Mind's Allegorical Place - Index
