The Storm at Sea: Political Aesthetics in the Time of Shakespeare counters a tradition of cultural analysis that judges considerations of aesthetic autonomy in the early modern context to be either anachronistic or an index of political disengagement. The book argues that for a post-theocratic era in which the mise en forme of the social domain itself was for the first time at stake, the problem of the aesthetic lay at the very core of the political; it is precisely through its engagement with the question of aesthetic autonomy that the early modern work most profoundly explores its relation to matters of law, state, sovereignty and political subjectivity. The book forwards a case for the significance of a “creationist” political aesthetic—at once a discrete historical category and a phenomenon that troubles our familiar forms of historical accounting—and suggests that the fate of such an aesthetic is intimately bound up with the emergence of modern conceptions of the political sphere. Storm at Sea moves historically from Leonardo da Vinci to Thomas Hobbes, engaging political thinkers such as Carl Schmitt, Giorgio Agamben, Claude Lefort and Roberto Esposito. It focuses on Shakespeare and English drama, with chapters on Hamlet, Othello, Winter’s Tale, and The Tempest, as well as sustained readings of As You Like It, King Lear, Thomas Kyd’s Spanish Tragedy and Christopher Marlowe’s Dr. Faustus.