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This book inaugurates a novel way of understanding the trajectories of health and disease in the context of poverty. Focusing on low-income neighborhoods in Delhi, it stitches together three different sets of issues. First, it examines the different trajectories of illness: What are the circumstances under which illness is absorbed within the normal and when does it exceed the normal. A second set of issues involves how different healers understand their own practices. The book asks: What is expert knowledge? What is it that the health practitioner knows and what does the patient know? How are these different forms of knowledge brought together in the clinical encounter, broadly defined? Finally, the book interrogates the models of disease prevalence and global programming that emphasize surveillance over care and deflect attention away from the specificities of local worlds. Yet the analysis offered retains an openness to different ways of conceptualizing “what is happening” and stimulates a conversation between different disciplinary orientations to health, disease, and poverty. Most studies of health and disease focus on the encounter between patient and practitioner within the space of the clinic. This book instead privileges the networks of relations, institutions, and knowledge over which the experience of illness is dispersed. It helps us see how illness is bound by the contexts in which it occurs, while also showing how illness transcends these contexts to say something about the nature of everyday life and the making of subjects.

For many today politics is characterized above all else by disappointment. Inspired by years of ethnographic research with the global anti-drug war movement, Disappointment addresses this disappointment by offering a framework for a politics that rises to the demand of our radical finitude. A politics that rises to the demand of radical finitude is a politics that finds its problems, antagonists, motivations, strategies, tactics, in a word, its call to action, in a world grounded in nothing other than the situations and existents that constitute it. This book takes up the challenge of offering such a framework by showing how ontological starting points have real political implications. A central argument of World-Building is that what is normally called ontology, politics, and ethics are actually three aspects or modalities of the same tradition, and therefore a critical engagement with one necessitates a critical engagement with the other two; that is, with the ontological tradition as a whole. This realization allows us to see how an alternative ontological starting point may lead to alternative political and ethical possibilities. With this as its task, Disappointment offers a critical hermeneutics of the dominant ontological tradition of our time and does so by means of both deconstruction and conceptual creativity. The politics of world-building that results seeks to move beyond metaphysical humanism and its exhausted concepts such as rights, responsibility and dignity, and begin to enact an ontology of worlds by means of such concepts as situation, dwelling, and attunement.

This is an intellectual biography of Gregory Bateson, one of the most important holistic writers of the twentieth century, whose qualitative approach to information and intelligence in living systems challenges modern science’s exclusive attachment to technical premises of cyber-information and Artificial Intelligence. Hesubstitutes ‘pattern’ and ‘meaning’ for the ‘thinginess’ of data and places his emphasis on ‘mapping’ and gestalt. His approach appears first in his anthropological studies of New Guinea culture and ‘body/mind’ interaction in Balinese which he undertook with his spouse, Margaret Mead. Later, he shows how patterns of relationship and communication exist at a ‘higher,’ or meta-level, to those of biophysical interaction. Perceptions of ‘difference’ and the ‘difference that makes a difference’ create contexts for interpersonal communication; these ‘mind-like’ characteristics are also apparent in the world of living systems, enabling species to co-evolve in a mutually supportive manner—unlike natural selection. One of his legacies is biosemiotics, which focuses on the ability of all organisms and all cells to respond to patterns, even in microorganisms like bacteria and viruses. All are semiotic, that is, they can interpret and develop meaningful preferences in their ordering of events. In ecology, his ‘post-genomic’ stance considers organism-plus-environment as the fundamental unit of life, and not the gene; in so doing he turns many notions of causality ‘upside-down.’ Bateson’s holism yields an ecological aesthetics, never achieved in any of the natural sciences, which underlines the moral divide between sustainable creativity and current biocide in planetary biodiversity.

The essays in this book explore how Veena Das’s work has been critically assimilated in the thinking and writing of a younger generation of anthropologists who have been deeply influenced by her work. Taking off from Das’s writing on pain as a call for acknowledgement, several essays explore how social sciences render pain, suffering and the claims of the other as part of an ethics of responsibility. The second theme of the volume is the co-constitution of the event and the everyday especially in the context of violence. Ethics as a form of attentiveness to the other, especially in the context of poverty, deprivation, and corrosion of everyday life appears in several of the essays. An important question that animates this volume is, What is the picture of thought in anthropological knowledge? Das’s concerns with the philosophy of the everyday and her efforts to make philosophical reasoning responsive to those for whom everyday life must be secured against the precarious conditions of their existence, resonate in several essays. The affinity between anthropology, philosophy, romanticism, and the literary is evident not only in the themes but also in the forms of writing. These affinities are reflected in a final set of essays that show how forms of knowing in art and in anthropology are related through the work these authors have done with painters, performance artists, and writers. The uniqueness of this book lies in the concept of intellectual inheritance as itself a form of thinking ethnographically.