Ole Jakob Løland
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823286553
- eISBN:
- 9780823288816
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286553.001.0001
- Subject:
- Religion, Biblical Studies
Paul has been rediscovered outside of the apostle’s traditional religious reading circles, particularly among radical leftist philosophers such as Giorgio Agamben, Alain Badiou, and Slavoj Žižek. ...
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Paul has been rediscovered outside of the apostle’s traditional religious reading circles, particularly among radical leftist philosophers such as Giorgio Agamben, Alain Badiou, and Slavoj Žižek. This is the first book to historically and philosophically situate the forerunner of this recent philosophical turn to Paul, the Jewish rabbi and philosopher Jacob Taubes (1923–1987). Paul becomes an effective tool for Taubes to position himself within European philosophical debates of the twentieth century, a position he gains through Nietzsche’s polemical readings of the ancient apostle as well as through Freud’s psychoanalysis. Taubes performs a powerful deconstruction of dominant conceptions of the apostle, such as the view that Paul is the first Christian who broke definitively with Judaism and drained Christianity of its political potential. As a Jewish rabbi steeped in a philosophical tradition marked by European Christianity, Taubes is able to emphasize Paul’s Jewishness as well as the political explosiveness of the apostle’s revolutionary doctrine of the cross. For Taubes, the Pauline movement was the birth of a politics of ugliness, the invention of a revolutionary notion trenchantly critical of the “beautiful” culture of the powerful, a movement which sides definitively with the oppressed—the “crucified”—against the strong. Building on Nietzsche’s and Taubes’s insights, Løland suggests future directions that readings of Paul the apostle might lead in light of recent biblical scholarship on Paul and current discussions of the Pauline epistles within reading circles of the continental philosophers.Less
Paul has been rediscovered outside of the apostle’s traditional religious reading circles, particularly among radical leftist philosophers such as Giorgio Agamben, Alain Badiou, and Slavoj Žižek. This is the first book to historically and philosophically situate the forerunner of this recent philosophical turn to Paul, the Jewish rabbi and philosopher Jacob Taubes (1923–1987). Paul becomes an effective tool for Taubes to position himself within European philosophical debates of the twentieth century, a position he gains through Nietzsche’s polemical readings of the ancient apostle as well as through Freud’s psychoanalysis. Taubes performs a powerful deconstruction of dominant conceptions of the apostle, such as the view that Paul is the first Christian who broke definitively with Judaism and drained Christianity of its political potential. As a Jewish rabbi steeped in a philosophical tradition marked by European Christianity, Taubes is able to emphasize Paul’s Jewishness as well as the political explosiveness of the apostle’s revolutionary doctrine of the cross. For Taubes, the Pauline movement was the birth of a politics of ugliness, the invention of a revolutionary notion trenchantly critical of the “beautiful” culture of the powerful, a movement which sides definitively with the oppressed—the “crucified”—against the strong. Building on Nietzsche’s and Taubes’s insights, Løland suggests future directions that readings of Paul the apostle might lead in light of recent biblical scholarship on Paul and current discussions of the Pauline epistles within reading circles of the continental philosophers.
David Fieni
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823286409
- eISBN:
- 9780823288748
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286409.001.0001
- Subject:
- Literature, World Literature
This book explores the confluence of decadence and Orientalism since the mid-nineteenth century in French and Arabic writing. It demonstrates how French Orientalism set the terms of modernity for ...
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This book explores the confluence of decadence and Orientalism since the mid-nineteenth century in French and Arabic writing. It demonstrates how French Orientalism set the terms of modernity for Arab and Muslim thinkers and writers, but also how the latter responded to and transformed these terms. The book argues that Orientalism is doubly decadent: it describes the supposedly inherent degeneration of the Semitic and the “Oriental,” and in so doing Orientalism attempts to contribute to the decay of these societies. Through comparative close readings of French, Francophone, and Arabic texts, the author outlines how notions and representations of decadence and decay during the colonial and postcolonial periods have in fact produced symbolic and social disintegration in parts of the Arab world. Part 1 of the book examines the role of philology, secularism, Islamic reformism, and colonial policy in the configurations of colonial modernity during the second half of the nineteenth century, focusing on the Arab East (or Mashreq) and Algeria. Part 2 turns to Maghreb to explore the ways that loss becomes nationalized and gendered in the postcolonial era and how Maghrebi writers engage with the legacy of Orientalist decadence to find ways beyond it. In the context of these questions, it offers analyses of work by a wide range of writers, including Ernest Renan, Jamal al-Din al-Afghani, Ahmed Faris al-Shidyaq, Farah Antun, Céline, Tahar Wattar, Tahir Djaout, Ahlam Mosteghanemi, Yamina Méchakra, Assia Djebar, Hélène Cixous, Abdelwahab Meddeb, and Abdelkebir Khatibi.Less
This book explores the confluence of decadence and Orientalism since the mid-nineteenth century in French and Arabic writing. It demonstrates how French Orientalism set the terms of modernity for Arab and Muslim thinkers and writers, but also how the latter responded to and transformed these terms. The book argues that Orientalism is doubly decadent: it describes the supposedly inherent degeneration of the Semitic and the “Oriental,” and in so doing Orientalism attempts to contribute to the decay of these societies. Through comparative close readings of French, Francophone, and Arabic texts, the author outlines how notions and representations of decadence and decay during the colonial and postcolonial periods have in fact produced symbolic and social disintegration in parts of the Arab world. Part 1 of the book examines the role of philology, secularism, Islamic reformism, and colonial policy in the configurations of colonial modernity during the second half of the nineteenth century, focusing on the Arab East (or Mashreq) and Algeria. Part 2 turns to Maghreb to explore the ways that loss becomes nationalized and gendered in the postcolonial era and how Maghrebi writers engage with the legacy of Orientalist decadence to find ways beyond it. In the context of these questions, it offers analyses of work by a wide range of writers, including Ernest Renan, Jamal al-Din al-Afghani, Ahmed Faris al-Shidyaq, Farah Antun, Céline, Tahar Wattar, Tahir Djaout, Ahlam Mosteghanemi, Yamina Méchakra, Assia Djebar, Hélène Cixous, Abdelwahab Meddeb, and Abdelkebir Khatibi.
Ramsey McGlazer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823286591
- eISBN:
- 9780823288809
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286591.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
This book marks out a modernist counter-tradition. The book proceeds from an anachronism common to Italian- and English-language literature and cinema: a fascination with outmoded, paradigmatically ...
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This book marks out a modernist counter-tradition. The book proceeds from an anachronism common to Italian- and English-language literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in modernizing, reform-minded pedagogical theories. Old Schools shows that these old-school teaching techniques organize key works by Walter Pater, Giovanni Pascoli, James Joyce, Pier Paolo Pasolini, and Glauber Rocha. All of these figures oppose ideologies of progress by returning to and creatively reimagining the Latin class long since left behind by progressive educators. Across the political spectrum, advocates of progressive education, from Jean-Jacques Rousseau to John Dewey and Giovanni Gentile, had targeted Latin in particular. The dead language—taught through time-tested techniques including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. By contrast, the works that Old Schools considers valorize instruction’s outmoded techniques, even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that very limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for creativity and critique in the very practices that progressive reformers sought to clear away.Less
This book marks out a modernist counter-tradition. The book proceeds from an anachronism common to Italian- and English-language literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in modernizing, reform-minded pedagogical theories. Old Schools shows that these old-school teaching techniques organize key works by Walter Pater, Giovanni Pascoli, James Joyce, Pier Paolo Pasolini, and Glauber Rocha. All of these figures oppose ideologies of progress by returning to and creatively reimagining the Latin class long since left behind by progressive educators. Across the political spectrum, advocates of progressive education, from Jean-Jacques Rousseau to John Dewey and Giovanni Gentile, had targeted Latin in particular. The dead language—taught through time-tested techniques including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. By contrast, the works that Old Schools considers valorize instruction’s outmoded techniques, even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that very limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for creativity and critique in the very practices that progressive reformers sought to clear away.
Sam See
Christopher Looby and Michael North (eds)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823286980
- eISBN:
- 9780823288830
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286980.001.0001
- Subject:
- Literature, Criticism/Theory
This book collects the scholarly work that Sam See had completed as of his death in 2013. It includes essays that have been previously published in leading journals as well as materials that remained ...
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This book collects the scholarly work that Sam See had completed as of his death in 2013. It includes essays that have been previously published in leading journals as well as materials that remained unpublished. Its parts represent the two book projects that See hoped to complete: Queer Natures: Feeling Degenerate in Literary Modernism and Queer Mythologies: Community and Memory in Modern Literature. The first reinterprets the key term nature, central to so many discussions of literature and sexuality. For See, nature is no longer an unchanging substrate or a philosophical given. Relying on a thorough reading of Darwin, See argues instead that nature is constantly and aimlessly variable. Since it makes room for the aesthetic, by way of what Darwin called sexual selection, nature is also affected by feeling. On these grounds, See argues that nature itself might be considered queer. The second project proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. See looks at the ways in which queer community has been imagined in literary works from a wide range of authors, and he analyzes the role that literature has played in providing significant aesthetic versions of that community. Locating the various failures of these myths is a way, he hopes, of approaching another, more successful communal story. In addition to his reading of Darwin, See provides new interpretations of modern writers including Langston Hughes, Virginia Woolf, Oscar Wilde, Hart Crane, and T. S. Eliot.Less
This book collects the scholarly work that Sam See had completed as of his death in 2013. It includes essays that have been previously published in leading journals as well as materials that remained unpublished. Its parts represent the two book projects that See hoped to complete: Queer Natures: Feeling Degenerate in Literary Modernism and Queer Mythologies: Community and Memory in Modern Literature. The first reinterprets the key term nature, central to so many discussions of literature and sexuality. For See, nature is no longer an unchanging substrate or a philosophical given. Relying on a thorough reading of Darwin, See argues instead that nature is constantly and aimlessly variable. Since it makes room for the aesthetic, by way of what Darwin called sexual selection, nature is also affected by feeling. On these grounds, See argues that nature itself might be considered queer. The second project proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. See looks at the ways in which queer community has been imagined in literary works from a wide range of authors, and he analyzes the role that literature has played in providing significant aesthetic versions of that community. Locating the various failures of these myths is a way, he hopes, of approaching another, more successful communal story. In addition to his reading of Darwin, See provides new interpretations of modern writers including Langston Hughes, Virginia Woolf, Oscar Wilde, Hart Crane, and T. S. Eliot.
Harry Berger
David Lee Miller (ed.)
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823285631
- eISBN:
- 9780823288861
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823285631.001.0001
- Subject:
- Literature, 16th-century and Renaissance Literature
Resisting Allegory gathers essays from the final two decades of Harry Berger, Jr.’s lifelong engagement with Spenser’s great poem The Faerie Queene, making clear the scope and coherence of the ...
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Resisting Allegory gathers essays from the final two decades of Harry Berger, Jr.’s lifelong engagement with Spenser’s great poem The Faerie Queene, making clear the scope and coherence of the critical vision elaborated in a series of seminal and still-challenging critical arguments. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices—those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigorous questioning. No one writes the way Berger does; no one can combine theoretical scope with close reading the way he can. His distinctive voice, style, and attention to method offer a model to students and younger scholars and should command attention in courses on the method and theory of criticism.Less
Resisting Allegory gathers essays from the final two decades of Harry Berger, Jr.’s lifelong engagement with Spenser’s great poem The Faerie Queene, making clear the scope and coherence of the critical vision elaborated in a series of seminal and still-challenging critical arguments. Spenser’s great poem provides the occasion for a searching and comprehensive interdisciplinary exploration of reading practices—those the author advocates as well as those he adapts or criticizes in entertaining a wide range of critical arguments with his celebrated combination of intellectual generosity and rigorous questioning. No one writes the way Berger does; no one can combine theoretical scope with close reading the way he can. His distinctive voice, style, and attention to method offer a model to students and younger scholars and should command attention in courses on the method and theory of criticism.
Willy Thayer
- Published in print:
- 2020
- Published Online:
- September 2020
- ISBN:
- 9780823286744
- eISBN:
- 9780823288878
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286744.001.0001
- Subject:
- Philosophy, Political Philosophy
Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and ...
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Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. This book elaborates a critical practice that eludes such capture. Building on Chile's history of dissident artists and the central entangling of politics and aesthetics, the book engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.Less
Critique—a program of thought as well as a disposition toward the world—is a crucial resource for politics and thought today, yet it is again and again instrumentalized by institutional frames and captured by market logics. This book elaborates a critical practice that eludes such capture. Building on Chile's history of dissident artists and the central entangling of politics and aesthetics, the book engages continental philosophical traditions, from Aristotle, Descartes and Heidegger through Walter Benjamin and Gilles Deleuze, and in implicit conversation with the Judith Butler, Roberto Esposito, and Bruno Latour, to help pinpoint the technologies and media through which art intervenes critically in socio-political life.
Joseph Drexler-Dreis and Kristien Justaert (eds)
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780823286898
- eISBN:
- 9780823288731
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286898.001.0001
- Subject:
- Religion, Theology
Beyond the Doctrine of Man responds to the question of how individuals and communities can live and have lived beyond the way the human person is defined in colonial modernity. This volume brings ...
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Beyond the Doctrine of Man responds to the question of how individuals and communities can live and have lived beyond the way the human person is defined in colonial modernity. This volume brings together essays that interrogate the problem of modern/colonial definitions of the human person and that take up the struggle to decolonize these descriptive statements. As the problem of coloniality transcends disciplinary constructions, so do the contributions in this book. They engage work from various fields, including ethnic studies, religious studies, theology, queer theory, philosophy, and literary studies. The essays in Beyond the Doctrine of Man were catalyzed by Sylvia Wynter’s questioning of modern/colonial descriptions of the human person. Wynter asks this question within a larger project of unsettling and countering these definitions. Contributors to this collection follow in this move—sometimes in direct reference to Wynter’s work and sometimes primarily focusing on the work of others—of asking how Western modernity has naturalized itself through a discourse on the human. This analytical work taken up by contributors is at the service of unsettling and countering this naturalization.Less
Beyond the Doctrine of Man responds to the question of how individuals and communities can live and have lived beyond the way the human person is defined in colonial modernity. This volume brings together essays that interrogate the problem of modern/colonial definitions of the human person and that take up the struggle to decolonize these descriptive statements. As the problem of coloniality transcends disciplinary constructions, so do the contributions in this book. They engage work from various fields, including ethnic studies, religious studies, theology, queer theory, philosophy, and literary studies. The essays in Beyond the Doctrine of Man were catalyzed by Sylvia Wynter’s questioning of modern/colonial descriptions of the human person. Wynter asks this question within a larger project of unsettling and countering these definitions. Contributors to this collection follow in this move—sometimes in direct reference to Wynter’s work and sometimes primarily focusing on the work of others—of asking how Western modernity has naturalized itself through a discourse on the human. This analytical work taken up by contributors is at the service of unsettling and countering this naturalization.
Jennifer Wenzel
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780823286782
- eISBN:
- 9780823288885
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286782.001.0001
- Subject:
- Literature, World Literature
What role have literature and other cultural imagining played in shaping understandings of the world and the planet, for better and for worse? How might the formal innovations, rhetorical appeals, ...
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What role have literature and other cultural imagining played in shaping understandings of the world and the planet, for better and for worse? How might the formal innovations, rhetorical appeals, and sociological imbrication of world literature help confront unevenly distributed environmental challenges, including global warming? This book examines the rivalry between world literature and postcolonial theory from the perspective of environmental humanities, Anthropocene anxiety, and the material turn. Drawing its examples primarily from Africa and South Asia, it takes a contrapuntal approach to sites and subjects dispersed in time and space. Reading for the planet means reading from near to there: across experiential divides, between specific sites, at more than one scale. Recurrent concerns across the chapters are the multinational corporation (and the colonial charter company) as a vector of globalization and source of cultural imaginings and environmental harm; who (or what) can be regarded as a person; scenes of world-imagining from below in which characters or documentary subjects situate their experience within a transnational context; and formal strategies that invite reflexivity from the audience, in order to register, at the level of literary form, the uneven universality of vulnerability to environmental harm. The book argues for the relevance of the literary to environmental thought and practice. An understanding of cultural imagining and narrative logics can foster more robust accounts of global inequality, to energize movements for justice and livable futures.Less
What role have literature and other cultural imagining played in shaping understandings of the world and the planet, for better and for worse? How might the formal innovations, rhetorical appeals, and sociological imbrication of world literature help confront unevenly distributed environmental challenges, including global warming? This book examines the rivalry between world literature and postcolonial theory from the perspective of environmental humanities, Anthropocene anxiety, and the material turn. Drawing its examples primarily from Africa and South Asia, it takes a contrapuntal approach to sites and subjects dispersed in time and space. Reading for the planet means reading from near to there: across experiential divides, between specific sites, at more than one scale. Recurrent concerns across the chapters are the multinational corporation (and the colonial charter company) as a vector of globalization and source of cultural imaginings and environmental harm; who (or what) can be regarded as a person; scenes of world-imagining from below in which characters or documentary subjects situate their experience within a transnational context; and formal strategies that invite reflexivity from the audience, in order to register, at the level of literary form, the uneven universality of vulnerability to environmental harm. The book argues for the relevance of the literary to environmental thought and practice. An understanding of cultural imagining and narrative logics can foster more robust accounts of global inequality, to energize movements for justice and livable futures.
Karen Bray
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780823286850
- eISBN:
- 9780823288762
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286850.001.0001
- Subject:
- Religion, Theology
Grave Attending: A Political Theology for the Unredeemed mounts a challenge to a regnant neoliberal capitalist narrative, pervasively secularized, of redemption. Its methodology relies on reading ...
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Grave Attending: A Political Theology for the Unredeemed mounts a challenge to a regnant neoliberal capitalist narrative, pervasively secularized, of redemption. Its methodology relies on reading political theology anew through theories of affect, queerness, disability, and race. Surfacing the importance of emotion, mood, feeling, and affect for constructions of the political and the theological, this book proposes counter-redemptive narratives. Its opening provocation is a diagnosis of soteriological impulses within neoliberalism that demand we be productive, efficient, happy, and flexible in order to be of worth and therefore get saved from the wretchedness of being considered disposable. In the guise of opportunity, the theological underpinnings of neoliberalism offer a caged freedom. Counter to this cage, the affect theories explored in these pages offer a political theology that surmises that sticking with the moods of what it means to get crucified by neoliberal capitalism is both an act of resistance and the refusal to give up on life in execution’s wake. Hence, it suggests we stick with those whom neoliberalism has already marked as irredeemable. Through the concept of “grave attending” —being brought down by the gravity of what is and listening to the ghosts of what might have been (all those irredeemable subject positions and collectives we tried to closet away)—this book considers what it means to go unredeemed. An affect-infused political theology asks readers to stick with the moods of the irredeemable, while also salvaging the possibility of new worlds, not in spite of such moods, but through them.Less
Grave Attending: A Political Theology for the Unredeemed mounts a challenge to a regnant neoliberal capitalist narrative, pervasively secularized, of redemption. Its methodology relies on reading political theology anew through theories of affect, queerness, disability, and race. Surfacing the importance of emotion, mood, feeling, and affect for constructions of the political and the theological, this book proposes counter-redemptive narratives. Its opening provocation is a diagnosis of soteriological impulses within neoliberalism that demand we be productive, efficient, happy, and flexible in order to be of worth and therefore get saved from the wretchedness of being considered disposable. In the guise of opportunity, the theological underpinnings of neoliberalism offer a caged freedom. Counter to this cage, the affect theories explored in these pages offer a political theology that surmises that sticking with the moods of what it means to get crucified by neoliberal capitalism is both an act of resistance and the refusal to give up on life in execution’s wake. Hence, it suggests we stick with those whom neoliberalism has already marked as irredeemable. Through the concept of “grave attending” —being brought down by the gravity of what is and listening to the ghosts of what might have been (all those irredeemable subject positions and collectives we tried to closet away)—this book considers what it means to go unredeemed. An affect-infused political theology asks readers to stick with the moods of the irredeemable, while also salvaging the possibility of new worlds, not in spite of such moods, but through them.
Hoda El Shakry
- Published in print:
- 2019
- Published Online:
- September 2020
- ISBN:
- 9780823286362
- eISBN:
- 9780823288915
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823286362.001.0001
- Subject:
- Literature, World Literature
The Literary Qurʾan: Narrative Ethics in the Maghreb mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside its attendant embodied practices and hermeneutical strategies, to ...
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The Literary Qurʾan: Narrative Ethics in the Maghreb mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside its attendant embodied practices and hermeneutical strategies, to theorize Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site in which the process of entextualization obscures ethical imperatives. To that end, the book engages the classical Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as the moral dimensions of personal and social conduct. Reading Islam through its intersecting ethical and epistemological dimensions, it argues that the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. Foregrounding questions of form and praxis, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Reflecting both critical methodology and argument, it places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Blending literary and theological methodologies, conceptual vocabularies, and reading practices, the study builds upon an interdisciplinary body of scholarship across literary theory, Islamic and Qurʾanic studies, philosophy, anthropology, and history.Less
The Literary Qurʾan: Narrative Ethics in the Maghreb mobilizes the Qurʾan’s formal, narrative, and rhetorical qualities, alongside its attendant embodied practices and hermeneutical strategies, to theorize Maghrebi literature. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, it attends to literature as a site in which the process of entextualization obscures ethical imperatives. To that end, the book engages the classical Arab-Islamic tradition of adab—a concept demarcating the genre of belles lettres, as well as the moral dimensions of personal and social conduct. Reading Islam through its intersecting ethical and epistemological dimensions, it argues that the critical pursuit of knowledge is inseparable from the spiritual cultivation of the self. Foregrounding questions of form and praxis, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Reflecting both critical methodology and argument, it places twentieth-century novels by canonical Francophone writers (Abdelwahab Meddeb, Assia Djebar, Driss Chraïbi) into conversation with lesser-known Arabophone ones (Maḥmūd al-Masʿadī, al-Ṭāhir Waṭṭār, Muḥammad Barrāda). Blending literary and theological methodologies, conceptual vocabularies, and reading practices, the study builds upon an interdisciplinary body of scholarship across literary theory, Islamic and Qurʾanic studies, philosophy, anthropology, and history.
Ecclesiastical Knights
Interdependence
Maps for a Fiesta
The Problem of the Color Line at the Turn of the Twentieth Century
After Fukushima
The Body of Property
Bruno Latour in Pieces
The Church of Greece under Axis Occupation
Dialogue of Love
