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The Other NightDreaming, Writing, and Restlessness in Twentieth-Century Literature$
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Herschel Farbman

Print publication date: 2008

Print ISBN-13: 9780823228652

Published to Fordham Scholarship Online: March 2011

DOI: 10.5422/fso/9780823228652.001.0001

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The Dream as Writing: Freud's Theory

The Dream as Writing: Freud's Theory

Chapter:
(p.23) One The Dream as Writing: Freud's Theory
Source:
The Other Night
Author(s):

Herschel Farbman

Publisher:
Fordham University Press
DOI:10.5422/fso/9780823228652.003.0002

This chapter discusses Sigmund Freud's theory that holds the dream as writing. Freud's first thesis in the Interpretation of Dreams is that dreams are meaningful and capable of being interpreted. But he argues that they are not meaningful when considered as perceptual experiences. Rather, Freud finds that the meaning of a dream can be approached only if the dream is treated as what the dreamer can tell of it to another person and not as the perceptual experience that precedes and often seems to flee telling. In order to make sense of the dream, the interpreter has to look at the dream not in terms of its “pictorial value”, but as a “picture puzzle”, the solution of which is a linguistic expression. The first step in the Freudian interpretation of a dream is to distinguish between the manifest content of the dream and its latent content.

Keywords:   Sigmund Freud, Interpretation of Dreams, dream, writing, latent content, manifest content, pictorial value, picture puzzle

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