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All EarsThe Aesthetics of Espionage$
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Peter Szendy

Print publication date: 2016

Print ISBN-13: 9780823273959

Published to Fordham Scholarship Online: May 2017

DOI: 10.5422/fordham/9780823273959.001.0001

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Discipline and Listen

Discipline and Listen

Chapter:
(p.9) Discipline and Listen
Source:
All Ears
Author(s):

Peter Szendy

, Roland Végső
Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823273959.003.0002

An archaeology of “overhearing”: starting with an etymological investigation of the French word “ecoute,” the chapter explores different historical (Jeremy Bentham’s “panacousticon”), philosophical (Nietzsche, Barthes, Foucault, Deleuze), musical (Mozart, Furtwangler), cinematic (Coppola), and literary (Shakespeare, Joyce) figures for overhearing. It defines “overhearing” as a form of reduplication and splitting up of listening (diaphonia).

Keywords:   control, diaphony, overhearing, panacousticon, rhythm

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