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Iterations of LossMutilation and Aesthetic Form, al-Shidyaq to Darwish$
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Jeffrey Sacks

Print publication date: 2015

Print ISBN-13: 9780823264940

Published to Fordham Scholarship Online: September 2015

DOI: 10.5422/fordham/9780823264940.001.0001

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Citation

Citation

Chapter:
(p.23) Chapter One Citation
Source:
Iterations of Loss
Author(s):

Jeffrey Sacks

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823264940.003.0001

This chapter considers the poet Adunis's theoretical work, al-Thabitwa al mutahawwil, and sets the text against the imperatives of language and form which are compelled in the reading of the works of Mahmoud Darwish. It also looks into Adunis's discussion of the death of the prophet Muhammad, and various writings from some of the most prolific writers of the Arabic language—Abid al-Jabri, Nasr Hamid Abu Zayd, Faysal Darraj, Abdallah Laroui, Abdelkabir Khatibi, Abdelfattah Kilito, Sayyed al-Bahrawi, Radwa 'Ashour, Jurj Tarabishi, and Muhsin Jasim al-Musawi. Their works articulate a set of proximate, if distinct questions, which the word “I” in Darwish also compels. The works of Darwish illustrate “the aesthetic unity of manner and substance,” which compels a reading of literary institutions that desire to read literature in order to form them into bits of consumable, interiorizable, temporally coherent linguistic sense.

Keywords:   Adunis, al-Thabitwa al mutahawwil, imperatives of language, Mahmoud Darwish, Muhammad, aesthetic unity

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