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Apocalypse-Cinema
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Apocalypse-Cinema: 2012 and Other Ends of the World

Peter Szendy

Abstract

Apocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self)consumption of cinema, in the form of a cinema t ... More

Keywords: apocalypse-cinema, apocalyptic genre, cinema, Jean-Luc Nancy, cine-eye, correlationism, anthropomorphic structure, ultratestimonial structure

Bibliographic Information

Print publication date: 2015 Print ISBN-13: 9780823264803
Published to Fordham Scholarship Online: January 2016 DOI:10.5422/fordham/9780823264803.001.0001

Authors

Affiliations are at time of print publication.

Peter Szendy, author
University of Nanterre