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Better Off DeadThe Evolution of the Zombie as Post-Human$
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Deborah Christie and Sarah Juliet Lauro

Print publication date: 2011

Print ISBN-13: 9780823234462

Published to Fordham Scholarship Online: January 2012

DOI: 10.5422/fordham/9780823234462.001.0001

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Playing Dead: Zombies Invade Performance Art … and Your Neighborhood

Playing Dead: Zombies Invade Performance Art … and Your Neighborhood

Chapter:
(p.205) Chapter 13 Playing Dead: Zombies Invade Performance Art … and Your Neighborhood
Source:
Better Off Dead
Author(s):

Sarah Juliet Lauro

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823234462.003.0014

This chapter presents first-hand research of the zombie subculture that is usually termed the zombie walk or zombie mob phenomenon, including descriptions of experiences at these events, where people gather in public dressed as zombies—most often, for no apparent reason. In presenting research on the work of two artists/community organizers, Jillian Mcdonald and Thea Munster, the chapter argues that their zombie events blur the line between social protest and performance art, and the chapter demonstrates this by contexualizing the place of these events within a larger framework of art-activist performance that encourages collective participation. Considering this as a new kind of zombie narrative, this chapter questions whether these zombie events operate in a manner that is extra-textual. How do they enable (or at least play with) the principle of the de-subjectifying collective? Are they an imitation of or a surrogate for social rebellion?

Keywords:   zombie mob, zombie walk, performance art, protest, Art Activism, Jillian Mcdonald, Thea Munster

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