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Poetics of EmptinessTransformations of Asian Thought in American Poetry$
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Jonathan Stalling

Print publication date: 2010

Print ISBN-13: 9780823231447

Published to Fordham Scholarship Online: January 2012

DOI: 10.5422/fordham/9780823231447.001.0001

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/ Teaching the Law: Gary Snyder's Poetics of Emptiness

/ Teaching the Law: Gary Snyder's Poetics of Emptiness

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(p.97) 3 / Teaching the Law: Gary Snyder's Poetics of Emptiness
Source:
Poetics of Emptiness
Author(s):

Jonathan Stalling

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823231447.003.0005

This chapter explores the didactic and soteriological function of classical Chinese poetics that take shape in Snyder's desire to transmit the Buddhist dharma, so that it may shed some light on how different notions of emptiness produce radically different poetic praxis. But by chasing the intertextual tail of emptiness through Snyder's work and theories of translation, this chapter shows how he transforms concepts of emptiness drawn from Zen and Yogācāran Buddhist discourses into a unique unifying grammar in his own poetic productions. Using Snyder's explicitly Buddhist body of work, this chapter argues that his writing reflects and reframes Zennist readings of classical Chinese poetry found in Dogen's Shōbōgenzō, the Zenrin kushu, along with Snyder's own Zennist reading of the Tang poet Han Shan. Lastly, this chapter maps the ways in which Snyder's Zen reading of classical Chinese poetry draws upon and further codifies specific Zennist interpretive habits.

Keywords:   Chinese poetics, Buddhist dharma, emptiness, poetic praxis, Zennist readings

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