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A Touch More RareHarry Berger, Jr., and the Arts of Interpretation$
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Nina Levine and David Lee Miller

Print publication date: 2009

Print ISBN-13: 9780823230303

Published to Fordham Scholarship Online: September 2011

DOI: 10.5422/fordham/9780823230303.001.0001

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What Art Historians Can Learn from Harry

What Art Historians Can Learn from Harry

Chapter:
(p.197) Chapter 14 What Art Historians Can Learn from Harry
Source:
A Touch More Rare
Author(s):

Nina Levine

David Lee Miller

Publisher:
Fordham University Press
DOI:10.5422/fordham/9780823230303.003.0015

Twenty years ago the editor of the Art Bulletin asked Egbert Haverkamp-Begemann, a senior faculty member at the Institute of Fine Arts in New York, to review the state of research in Northern Baroque art. The assignment was part of the journal's survey of the field as a whole, which it was conducting in response to the sometimes seismic battles then being fought, largely along generational lines, between the representatives of the so-called “old art history” and the “new.” The author was impressed with the attention to detail in Harry Berger's lecture, to the specifics of the image itself, in short, his devotion to a kind of unhurried, careful looking that the author found all too rare in their field at the present time.

Keywords:   Egbert Haverkamp-Begemann, Art Bulletin, Northern Baroque art, art historians, old art history, new art history, Harry Berger

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