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On Lingering and Being LastRace and Sovereignty in the New World$
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Jonathan Elmer

Print publication date: 2008

Print ISBN-13: 9780823229406

Published to Fordham Scholarship Online: September 2011

DOI: 10.5422/fordham/9780823229406.001.0001

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Sovereignty, Race, and Melancholy in the Transatlantic Romantic Novel

Sovereignty, Race, and Melancholy in the Transatlantic Romantic Novel

(p.147) Five: Sovereignty, Race, and Melancholy in the Transatlantic Romantic Novel
On Lingering and Being Last
Fordham University Press

This chapter offers a different understanding of the role of melancholic discourse in romanticism, whatever may be the attractions of an “interested cosmopolitanism.” The author argues that the melancholy logic of the last produces deterritorializing effects on both sides of the Atlantic, but with a distinctively racialized cast in America. Anglophone romanticism in general was agitated by what he characterized as the political restlessness of a post-tyrannical world. His main focus is on two American novels, Charles Brockden Brown's Edgar Huntly (1799) and John Neal's Logan: A Family History (1822). An initial sense of the essential continuities and crucial differences between the English and American variants of the logic of the last can be gained, if one turns briefly to The Last Man (1826), Shelley's morose novel about the destruction of humankind by a global plague.

Keywords:   melancholy, sovereignty, race, romanticism, Charles Brockden Brown, Edgar Huntly, John Neal, The Last Man, Shelley, intelligence

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