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Poets of Divine LoveThe Rhetoric of Franciscan Spiritual Poetry$
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Alessandro Vettori

Print publication date: 2004

Print ISBN-13: 9780823223251

Published to Fordham Scholarship Online: September 2011

DOI: 10.5422/fordham/9780823223251.001.0001

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Origins of the Canon

Origins of the Canon

(p.79) 4 Origins of the Canon
Poets of Divine Love

Alessandro Vettori

Fordham University Press

Theologically, a return to the beginning implies the radical idea of bringing back the state of humanity depicted in the biblical myth of creation, when man and woman were nude and had not yet undergone temptation and Fall; their relation to each other and to nature remained harmonious and flawless. The poetics of the “Canticle” proposes a view of pre-Fall creation as depicted in the Book of Genesis. Creatures punctuate “The Canticle of Brother Sun,” also known as the “Canticum creaturarum.” All creatures owe their existence to God. All elements in the “Canticle” point to the recovered, renovated, and restored status of creation: as the cosmos was new at the moment of creation, it is now perceived by Francis, because of his accomplished purification, as renewed.

Keywords:   Canticle, The Canticle of Brother Sun, Canticum creaturarum, creation, temptation, poetics, cosmos

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