Russell Samolsky
- Published in print:
- 2011
- Published Online:
- May 2012
- ISBN:
- 9780823234790
- eISBN:
- 9780823241248
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823234790.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
This book sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment by arguing that certain modern literary texts have apocalyptic futures. ...
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This book sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment by arguing that certain modern literary texts have apocalyptic futures. Rather than claim that great writers have clairvoyant powers, it examines the ways in which a text incorporates an apocalyptic event—and marked or mutilated bodies—into its future reception. The book is thus concerned with the way in which apocalyptic works solicit their future receptions. Deploying the double register of “marks” to show how a text both codes and targets mutilated bodies, the book focuses on how these bodies are incorporated into texts by Kafka, Conrad, Coetzee, and Spiegelman. Situating “In the Penal Colony” in relation to the Holocaust, Heart of Darkness to the Rwandan genocide, and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, it argues for the ethical and political importance of reading these literary works' “apocalyptic futures” in our own urgent and perilous situations. The book concludes with a reading of Spiegelman's Maus that offers a messianic counter-time to the law of apocalyptic incorporation.Less
This book sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment by arguing that certain modern literary texts have apocalyptic futures. Rather than claim that great writers have clairvoyant powers, it examines the ways in which a text incorporates an apocalyptic event—and marked or mutilated bodies—into its future reception. The book is thus concerned with the way in which apocalyptic works solicit their future receptions. Deploying the double register of “marks” to show how a text both codes and targets mutilated bodies, the book focuses on how these bodies are incorporated into texts by Kafka, Conrad, Coetzee, and Spiegelman. Situating “In the Penal Colony” in relation to the Holocaust, Heart of Darkness to the Rwandan genocide, and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, it argues for the ethical and political importance of reading these literary works' “apocalyptic futures” in our own urgent and perilous situations. The book concludes with a reading of Spiegelman's Maus that offers a messianic counter-time to the law of apocalyptic incorporation.
April Shemak
- Published in print:
- 2010
- Published Online:
- September 2011
- ISBN:
- 9780823233557
- eISBN:
- 9780823241194
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823233557.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, this book relates current theoretical debates about hospitality and cosmopolitanism to ...
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Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, this book relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. In doing so, the author weighs the questions of truth value associated with various modes of witnessing to explore the function of testimonial discourse in constructing refugee subjectivity in New World cultural and political formations. By examining literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodríguez Milanés, theoretical work by Jacques Derrida, Edouard Glissant, and Wilson Harris, as well as human rights documents, government documents, photography, and historical studies, the book constructs a complex picture of New World refugees that expands current discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives requires us to reshape the boundaries of U.S. ethnic and postcolonial studies.Less
Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, this book relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. In doing so, the author weighs the questions of truth value associated with various modes of witnessing to explore the function of testimonial discourse in constructing refugee subjectivity in New World cultural and political formations. By examining literary works by such writers as Edwidge Danticat, Nikl Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodríguez Milanés, theoretical work by Jacques Derrida, Edouard Glissant, and Wilson Harris, as well as human rights documents, government documents, photography, and historical studies, the book constructs a complex picture of New World refugees that expands current discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives requires us to reshape the boundaries of U.S. ethnic and postcolonial studies.
Marc Redfield
- Published in print:
- 2009
- Published Online:
- September 2011
- ISBN:
- 9780823231232
- eISBN:
- 9780823241118
- Item type:
- book
- Publisher:
- Fordham University Press
- DOI:
- 10.5422/fordham/9780823231232.001.0001
- Subject:
- Literature, 20th-century and Contemporary Literature
The terrorist attacks of September 11, 2001, did symbolic as well as literal damage. A trace of this cultural shock echoes in the American idiom 9/11: a bare name-date conveying both a trauma (the ...
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The terrorist attacks of September 11, 2001, did symbolic as well as literal damage. A trace of this cultural shock echoes in the American idiom 9/11: a bare name-date conveying both a trauma (the unspeakable happened then) and a claim on our knowledge. In the first of the two interlinked essays of this book, the author proposes the notion of virtual trauma to describe the cultural wound that this name-date both deflects and relays. Virtual trauma describes the shock of an event at once terribly real and utterly mediated. In consequence, a tormented self-reflexivity has tended to characterize representations of 9/11 in texts, discussions, and films, such as World Trade Center and United 93. In the second half of the book, the author examines the historical and philosophical infrastructure of the notion of war on terror. He argues that the declaration of war on terror is the exemplary postmodern sovereign speech act: it unleashes war as terror and terror as war, while remaining a crazed, even in a certain sense fictional performative utterance. Only a pseudosovereign—the executive officer of the world's superpower—could have declared this absolute, phantasmatic, yet terribly damaging war. Though politicized terror and absolute war have their roots in the French Revolution and the emergence of the modern nation-state, the author suggests that the idea of a war on terror relays the complex, spectral afterlife of sovereignty in an era of biopower, global capital, and telecommunication.Less
The terrorist attacks of September 11, 2001, did symbolic as well as literal damage. A trace of this cultural shock echoes in the American idiom 9/11: a bare name-date conveying both a trauma (the unspeakable happened then) and a claim on our knowledge. In the first of the two interlinked essays of this book, the author proposes the notion of virtual trauma to describe the cultural wound that this name-date both deflects and relays. Virtual trauma describes the shock of an event at once terribly real and utterly mediated. In consequence, a tormented self-reflexivity has tended to characterize representations of 9/11 in texts, discussions, and films, such as World Trade Center and United 93. In the second half of the book, the author examines the historical and philosophical infrastructure of the notion of war on terror. He argues that the declaration of war on terror is the exemplary postmodern sovereign speech act: it unleashes war as terror and terror as war, while remaining a crazed, even in a certain sense fictional performative utterance. Only a pseudosovereign—the executive officer of the world's superpower—could have declared this absolute, phantasmatic, yet terribly damaging war. Though politicized terror and absolute war have their roots in the French Revolution and the emergence of the modern nation-state, the author suggests that the idea of a war on terror relays the complex, spectral afterlife of sovereignty in an era of biopower, global capital, and telecommunication.
Academics in Action!
Adoration
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Aesthetics of Negativity
Affliction
After Fukushima
After God
After the Monkey Trial
After Translation
